The Formula Behind Great West Coast Swing Connection

Musicality Starts with connection

The Simple Formula That Makes West Coast Swing Feel Effortless

West Coast Swing looks “easy” when it is done well, but what you are really seeing is a very specific formula applied over and over again. If you come from a ballroom background, you may be used to clear rights and wrongs, a single correct answer for each figure, and a strong focus on precise shapes. West Coast Swing is different. It is a street dance, which means there is more room for personality, more flexibility in how you stretch and compress time, and more freedom in how long or short you make a figure, as long as you honor the underlying rules.

One of the most important ideas I ever learned came from Mario Robau: in West Coast Swing we are less about rigid structure and more about a repeatable formula. That formula is simple. Leaders step down the slot on count one and set the direction and intention of the pattern. Leaders then manipulate the motion of the follower’s wrist or connection point, setting up the stretch and timing of the movement. Followers respond with oppositional reflex, stretching away from the leader’s energy before progressing down the slot, rather than collapsing toward it. The follower keeps their wrist or connection point slightly ahead of their body so that the connection stays alive and responsive.

So long as both partners “come home” together into a clean anchor, you have honored the formula and are ready to dance the next pattern. Once this formula is living in your body, the magic happens. That is when you suddenly have the time and mental bandwidth to really listen to the music, to add tasteful flourishes, and to play with your partner without getting lost. Just like learning a foreign language, fluency in West Coast Swing makes expression feel natural. If you are looking to improve your West Coast Swing connection, spend time on this formula until it feels automatic, and you will notice every dance getting easier, more musical, and more fun.

That same formula asks both dancers to release the need to be right and move from ME to US, letting the partnership decide what happens next.

King or Queen of Harts Ball

Where would you West Coast Swing on Valentines day? Welcome to the King or Queen of Harts Ball! Straight out of the deck of cards red is a symbol of passion, love, and all that is good. Its our West Coast Swing dance for Valentines day!

Dress to impress with your outfit of red. It’s Valentines Day so if you have a date bring them if you don’t there are lots of singles coming and you will make some new friends.

We dance West Coast Swing mostly but pepper in a ton of crossover Ballroom, Country, and Hustle…If you know how to dance you won’t stop all night. If you don’t know how to dance there is a lesson at 8pm to go over the basics and lots of friendly people to help you get started all night long.

I worked out a Valentines deal with the Roma so I expect some new dancers to come exploring what is going on upstairs!

Friday February 14th 7-11pm
$20pp
Roma Restaurant
29 Middlesex St
Haverhill, Ma

Mr. Jonathan’s 47th Birthday Ball

Join Mr. Jonathan and the band “Just Alright” at the iconic:

Roma Restaurant
29 Middlesex St
Haverhill, Ma

for an epic evening of swing dancing to both live and pre-recorded music!

Early bird pricing $40 pp includes:
7-8pm Easy swing Lesson
8-11pm California Mix of Swing, Ballroom, Country
Hors D’oeuvres stations, Climate Controled Room, Wood Floor
Lots of Space to Dance, No Partner Necessary, Dress To Impress
Tickets Purchased on or by January 10th will also recieve a free lesson on January 30th’s Thursday night swing class. Tickets purchased after Jan 10th will be $47.QUESTIONS? CALL OR TEXT 603-475-1391

The Grease Bawl

If you follow me on the socials you know I love a themed party and I love to connect the dots. We dance our parties at The Roma Restaurant in their Ball Room. When ever I can I try to get the theme to be a “ball”

The Grease Bawl is all about getting dressed up 50’s style. You can come in a Tee-Shirt and Jeans or dressed as a greaser with a leather jacket. Poodle skirts are not mandatory but they are encouraged! See you on the dance floor Friday, October 11th for an easy swing lesson 7-8pm and a California Style Mix of music until 10pm. It’s a great night out for $20!

Roma Restaurant
29 Middlesex st
Haverhill, Ma

Connection Creates Direction

Connection Creates the Direction. It’s a simple sentence, at first blush, but if we dive into how it relates to leaders leading and follower’s following it proves to be quite powerful. Here is the story of how I came to discover this concept.

When I started following, 20+ years ago, I would move forward on count one because it was count one. Most of the time I would blow by the lead and realize, after it was too late, that I missed something…Connection. West Coast Swing (and the world) had not gone through any form of de-gendering. Back then 99.99% of men lead and 99.99% women followed.

Asking another man to dance was daunting task. I was on a mission to improve my connection as a follower. I was known for being a good leader so the expectations were always higher than I could deliver as a follower. With most leaders I had one shot to “impress” and I blew it time and time again. In those days I could dance 6 nights a week as a leader and maybe score one single yes to dance as a follower. No one has been turned down more than I have.

It was around this time I met Ramiro Gonzalez (click his name to see us dance). Ramiro was/is as good at following as leading. After leading him a handful of times, I worked up the courage to ask him to lead me. The dance began terribly…Ramiro, being a seasoned instructor, recognized right away what the issue was and made suggestions while we danced. We took turns swapping who was leading many more times that weekend and something clicked in my body.

The major shift was from “thinking about what to do” to “feeling where to go.” It no longer matters to my brain what the leader is actually leading. What matters is that I “back into” or “press into” the connection. When I began letting the connection create the direction, I never went back. Connected dancing is like riding a bike…once you do it you can never not do it!

This is the lesson plan I used to teach this concept: