New West Coast Swing Sequence for Balance: The Yin & Yang of the Frame

Mr. Jonathan and his dance partner on the ballroom floor with the text Balance in the Frame: Fill Your Partner's Space

Ever finish a pattern and feel like you were holding yourself up, alone, on one foot? Most dancers blame their footwork. Usually the real problem is the space between you and your partner.

This month, my classes are working on one idea that changes how the whole dance feels: leaders and followers are the yin and yang of a circle. Each partner fills the space the other one leaves open. When that happens, balance stops being something you fight for and becomes something you share.

To make that idea easy to feel, I put together a new West Coast Swing sequence built around it.

Why Balance Lives in the Frame

Think of your frame as one circle split into two halves. When the leader moves out of their half, the follower doesn’t chase or collapse. They fill in. When the follower stretches away, the leader steps in to meet that energy. Neither partner is pushing or pulling. You’re both keeping the circle whole.

That’s what counterbalance really is in WCS. Not two people each trying to stay upright alone, but two halves holding up one shape together.

What This Sequence Teaches

The sequence is short on purpose. It’s meant to be practiced again and again until the feeling becomes automatic. As you work through it, you’ll start to notice:

  • Where your partner’s space is. And when it opens up for you to fill.
  • How to stay connected without forcing it. The frame stays alive without tension in the arms.
  • Why stretch and compression feel smoother. Balance gives both partners something to work against.
  • How leading and following become a conversation. Each move answers the last one.

Who It’s For

If you’re a newer West Coast Swing dancer, this sequence gives you a clear picture of what “connection” actually means on the floor. If you’ve been dancing for a while, it’s a great reset. Many intermediate dancers find their patterns get cleaner as soon as they stop dancing their half alone.

It works well for any partner dancer, too. The yin-and-yang idea carries over to almost every swing style.

Watch the Sequence

Watch it once just to see the shape. Then watch it again and pay attention to how each partner moves into the space the other just left. That’s the whole secret.

Where I’m Teaching This Sequence

I’m teaching the balance sequence and the yin-and-yang frame at every class and party between now and the end of November. No partner needed. Just come ready to dance.

Thursday Lessons: Easy Swing Class @ Roma

6:45–8:15 PM at Roma Restaurant, 29 Middlesex St, Haverhill, MA 01835. A lesson plus guided practice afterward. It’s lighthearted, fun, and a great way to lock in the sequence.

  • Thursday, October 22
  • Thursday, October 29
  • Thursday, November 5
  • Thursday, November 12
  • Thursday, November 19
  • Thursday, November 26

Dance Parties

Swinging Sundays: The Colored Ball, Sunday, November 1
6:00–9:00 PM at Girls at Work, 200 Bedford St, Manchester, NH. The most colorful night of the year. $20 per person includes a 1-hour all-levels WCS lesson, a 2-step mixer, and a dance party until 9 PM. Bright colors encouraged, and new clothing donations are always accepted.

The Ice Ball, Sunday, November 29
6:00–9:00 PM at Arthur Murray, 10 Main St, Natick, MA, presented with Carol Lanzillo. Slick moves and cool music. $20 per person includes a 45-minute all-levels WCS lesson and a 2-step mixer. Wear your frostiest outfit.

No partner needed at any event, and they all make a great double date. Questions? Text 603-475-1391.

Try It at Your Next Social

The best way to learn this is to dance it. Try the sequence with a few different partners at your next social and notice how the balance shifts with each person. And if you want to work on it in person, come join me at one of the classes or parties listed above. We’ll take it step by step, and you’ll feel the difference by the end of the night.

Lessons, events, and DJ info: www.MrJonathanIsMyDJ.com

Leader or follower, which half of the circle do you dance? Share your experience in the comments below.

Let Go of Me. Find Us: The Bitter Path to Better West Coast Swing Connection

West Coast Swing dancers creating connection through a flexible tether point

“Bitter on the tongue, sweet for the tummy” is an old saying meant to remind us that what tastes bitter at first can still be good for us.

Black coffee is an acquired taste. Almost no one takes their first sip and says, “Wow, that has an amazing flavor!” Most of us begin with cream and sugar. Then, little by little, we remove the sweetness until we finally learn to enjoy the coffee itself.

The journey toward true partnering is a lot like learning to drink your coffee black. There may be ten levels of removing the cream and sugar before you can finally let go and really connect. Each step becomes a little more bitter on the tongue as you learn to release all that is ME in favor of all that is US.

The Leader’s Journey: Set the Tether, Then Listen

The leader’s journey is one of learning to set tether points for a partner to stretch away from. Those tethers must be set with confidence. They must be firm, but they must also remain flexible when the partnership asks for something different.

A leader meets their partner where they are in that moment.

The three moves you planned in your head go right out the window if your follower is on the “wrong” foot at the end of the last pattern. The leader’s part of US has less to do with planning ahead and everything to do with rolling with the follower’s cadence after she tethers.

The follower’s center becomes the metronome by which the partnership keeps time.

The Follower’s Journey: Recognize and Resolve

The follower’s job is to keep consistent timing for the partnership by remaining open to the leader’s tether points. Once a tether point is identified, the follower stretches away from it through the resolving triple.

A follower does not simply move down the slot under their own power. The follower’s slot is essentially the line drawn from her furthest stretch point back to the leader’s tether point.

That line is not planned by one person. It is discovered by two.

The Bitter Part Is Letting Go

The payoff is worth it when you become able to dance with anyone. The bitter part is letting go of your ego long enough to allow real connection to happen.

Whose “fault” it is, what the outcome was supposed to be, and what the intended pattern should have looked like are all ego-driven concepts. They keep us focused on ME.

True partnership replaces those questions with something much quieter:

Where are we?

And the partnership answers:

We are right here.

That answer arrives just in time for the beginning of the next figure.

From ME to US

True connection is yin and yang existing in total opposition and total harmony. The leader confidently offers a tether. The follower honestly reveals where that tether leads. Neither person forces the result, and neither person disappears.

They let go of what the dance was supposed to be so they can feel what the dance actually is.

That may taste bitter at first. But once you learn to dance without all the cream and sugar of ego, plans, blame, and expectation, the connection itself becomes the sweetest part.

Here is a great video example of 2 people letting go of their egos and dancing for a common goal. There is $10,000 on the line, the song is not that great, and she is 10x the dancer he is…Watch how none of that matters as they both release their egos and join their partnership!